Saturday, 14 May 2011

[Review] Danger Mouse & Daniele Luppi - Rome



Broken Bells was one of my favorite albums from last year which was both due to the fact that I was hankering after new Shins material and because Mercer and Brian Burton aka Danger Mouse proved to be a formidable duo. Burton's torrent of creativity has not ceased to carve its path through various genres and will no-doubt influence many to come.

The first song, The Theme of Rome sets the tone for the album but its got about as much to do with the city as Clint Eastwood as it sounds like a Spaghetti Western Soundtrack. In fact the original choir from The Good the Bad and the Ugly have been resurrected for the backing vocals. However don't let this make you think its another variation of the 60's revival.

Given Burton's visionary approach to his musical endeavors, it makes sense that any guests on the album should be of similar prolificacy. Jack White, a man of equal ambition and who, like Burton seems to have endless talent, features on three of the songs. As the album is decidedly bluesy, White's delicate voice translates well. Also his theatrical nature fits the peculiar, psychedelic tone of the album. You will have heard first single Two Against One where Jack White sings about battling with the mind over struggles with self-loathing and insecurity. I particularly like the use of harpsichord contrasted with the themed Mexican feel.

Norah Jones similarly bluesy but more provocative voice has been used as a romantic counterpart for Jack White in this paritcular Spaghetti Western. Her country influence sits well with the imagery of ol' towns in the Sanatana Susana Pass in Ventura county, California.

A favorite of mine is The Gambling Priest which reminds me of music from the time of the vietnamese war. It also demonstrates, along with many other songs particularly the interludes, the influence of composer Daniele Luppi as they have the feel of a movie soundtrack. This is not to detriemntal effect but merely removes another boundary in that film scores are highly accomplished pieces of music and who says that style can't be incorporated into a chart album.

Burton takes on music from all eras and genres which can include at any time, Spaghetti Western, Baroque and blues rock. This combined with eery vocals does make the album have a deranged feel and makes it impossible to pigeon hole. But I guess that is Danger Mouse's game; pushing past genre boundaries, soaring above the squabbles over which music is what and creating something completely new.

8/10

Release date: 17/5

Danger Mouse & Daniele Luppi - Rose With A Broken Neck feat. Jack White

Saturday, 7 May 2011

Washed Out - Within or Without



A pioneer in that infectious, poorly named genre Chillwave that swept the blogging world in synchrony with the likes of Neon Indian and Toro Y Moi. Although retro is as popular as ever, it is remarkable how such a mushy, drowned out, synth heavy sound ever made it out alive. Its nostalgia inducing tone evokes emotions that are as familiar as they are unfamiliar?? That is, it's all about getting lost in that dreamy, slightly melancholy sound that leads us to think of the past. So dreamy that I'm surprised Life of Leisure wasn't the soundtrack to Inception and that when you listen it feels like you are in the fourth dream layer. I think due to the prolific rise, we all expected an imminent and not very dramtic fizzling out. However, think again all you haters. Toro Y Moi released their second LP with Memory Tapes set to release their follow up to Seek Magic.

And now Washed Out is keeping the ball rolling by announcing his debut full length called Within and Without. It's co-produced by the same guy that did Merriweather Post Pavillion and early reviews liken some of the songs to Caribou. Also a more singer/songwriter side has been explored, showcasing Ernest Greene's soulful voice. A single has been released for free download by Sub Pop and you can listen to it below. Album due 12/7

Washed Out - Eyes Be Closed

Sunday, 1 May 2011

[April Mix]



You know the drill, hit the triangle and listen your way through an hour of delectable tunes from April and beyond.




Tracklist:
Grimes - Sagrad
Keep Shelly in Athens - Cremonia Memories
Purity Ring - Lofticries
Prefuse 73 - The Only Valentines Failure
Brian Eno & David Byrne - Regiment
d'Eon - Transparency (How to Dress Well Rework)
Puro Instinct - No Mames
Grimes - Crystal Ball
TV on the Radio - You
The Kills - Baby Says
Yuck - Get Away
Eels - Susan's House

Thursday, 21 April 2011

[Video] Purity Ring - Lofticries

Tom Vek - A Chore



It's been while since Tom Vek got us dancey with C-C (You Set the Fire in Me) and If You Want and finally he returns. As much as I rate this song, I can't help but think in a few months it'll have been devoured by endless repetition in Topshop stores as is the fate of so many songs (Most recently Infinity Guitars by Sleigh Bells). Still enjoy it while you can

Wednesday, 20 April 2011

[Review] Grimes & D'Eon - Darkbloom



First off... sorry about the disappearing act, dissertation meant no blog time or music time for that matter. Anyway it's ok because an exciting new record dropped today even if I have no idea about what new music actually is (just discovering Chillwave, its so totally rad).

It's a split 12" with the A-side featuring the multi-talented Grimes and the B-side featuring her fellow Montreal partner in crime D'Eon. Both styles of music appear to have the same 80's pop grounding, with the pair releasing their own debut LP's last year, at a time where their respective sounds were very much with the times... if not ahead. However, each have branched off on Darkbloom with Grimes pursuing a darker more theatrical sound and D'Eon having a retro feel with R&B influence.

I'll start with Grimes who has a penchant for juxtaposing her pre-pubescent ethereal voice with abstract synth chaos. She seems to have included the whole catalogue of sounds from whatever software program that was used to make her songs. Each song chops and changes frequently, save her voice which maintains the fluidity so the songs are in no way clumsy. The single Vanessa is a haunting dance tune which evokes similar emotions as what the likes of 'Holy Other' and 'How To Dress Well' do. However the real masterpiece is Urban Twilight which has an eery drone synth throughout against layered angelic voices and glitchy drums.

D'Eon has more nostalgic connotations which for me is symbolised by the use of an 808 cowbell on Tongues. Again contrast is emphasized on this track with the uptempo R&B beats and D'eons, sometimes wanky, voice. I really like Transparency which is buried in layers of retro synths- check out the video in which Grimes chomps on D'Eons hair.

In conclusion both artists deliver a couple of gems each but I'm not a fan of the avant-guard stuff (Orphia and Telepathy) which are just plain annoying. Still I'd recommend it for Grimes' experimentation and D'Eons early synthesizer revival.

7/10

D'Eon - Transparency


Grimes - Vanessa


Both videos directed by, and starring Grimes herself